I work across roles — not to prove anything, but to help people and solve problems. Because that’s what it’s really all about, whatever my title is.
It’s not about the perfect cut. It’s about committing, adjusting, and doing your best — even in the mess.
My handwriting wasn’t born. It was built — from architects, artists, and animators I admired, one borrowed detail at a time.
A $10 mic. A cheap pen. A steak knife. What they all have in common? They remind me every day that it’s not about getting great stuff—it’s about getting great at stuff.